Ady Hernandez

Good Business Plan Example From the fertile musical hotbed of Austin, Texas, Dahebegebees are ramping up an original and uncompromising sound. Helmed by singer-songwriter Ady Hernandez, the band has long been a just-below-the-radar sensation among those who know real music. He leads a band that has generated a faithful following among those that can distinguish between a genuine singer-songwriter guitar prodigy and the puffed up pastry bands led by processed guitar glam-gods, a breed the city has pumped out regularly for years in an effort to fuse the legacy of legends like Stevie Ray Vaughn with MTV and SXSW industry notoriety.

For most of his career, he has hidden the fact that he is among the progeny of José María Hernández, AKA Little Joe of the multi-Grammy winning and multi-platinum selling Little Joe y La Familia.Heir to that bona fide and highly heralded musical tradition, Ady has quietly and effectively made his own way as a native son and a rocker who channels Jeff Beck and Pat Metheny as much as he does B.B. King and Robert Johnson since making the move from Temple to Austin in the late ’90s, just a holler and a hoot along the I-35 musical pipeline to points north and south. And it is worth mention that it was along those routes–both in and out of the state–that he first found his way to music, tagging along with his vanguard musical family while still a boy to far-off places like Chicago and LA and the Yakima Valley in the state of Washington.

While his early exposure to and tutelage under top-notch musicians comfortable in any genre from rock and blues to funk and country are important to note, so is his father’s life-long commitment to humanitarian issues and causes. “Dad has always been a firm believer in the philosophy of giving back, giving back to the fans and to the communities that sometimes get left behind, a lot of them just farm folks who didn’t have much, but still came out to his shows made our lives possible,” Ady says.

Draft Of Business Plan As a songwriter, Hernandez is obviously informed by this spirit of gratitude and a connection to the salt of the earth. But he is also a visionary experimentalist. His latest release, created in collaboration with a group of likewise precocious, border-straddling and genre-bending music nerds, is, in this light, understandably entitled “Grateful.”. He is grateful for the stellar and unparalleled musical parentage. He is grateful to the many fine musicians and for the good friends that have come his way. And he is grateful to be alive.

With the assistance, love, support and stylistically singular contributions from Aaron J Hatmaker on bass, Daniel Watson on drums, Miguel McDonald on vocals, Mitch Quintanilla on saxophone, Kevin Flatt on trumpet and Paul Deemer on trombone, Dehebegebees are poised to follow their critical success and their status as a hometown, true-roots, alt- funk-rock outfit with the same kind of live, high-energy, spiritually uplifting and genuinely joyful stage shows that have come to define the band’s high-octane dynamic and band member chemistry. A formidable ensemble in spite of their resistance to rivalries and competition, Dahebegebees are simply down for a get-back-to-basics, come-dance-sing-and-play-with-me, we’re-all-in-this-together groove, and it shows. Backed by a newly assembled blistering horn crew, searing yet soulful vocals and a time-tested rhythm section, they represent a marriage between the authentic Austin of yesterday and the creative groundswell that is the result of new energy and new ideas. “It’s infectious. People need to have a good time,” Ady says. He is excited about having retooled the band because everyone onboard is “not just here to play, but to create.”